Wednesday, 26 June 2024

Menander: The Life and Works of the Ancient Greek Comic Poet

Menander was born around 342 BC in Athens and died in 290 BC. Hailing from a family of prominent intellectuals, his father was Diopeithes, a general and governor. He received a well-rounded education that instilled in him a deep appreciation for the arts, and philosophy. At the age of 20, Menander began composing his own plays, receiving critical acclaim and audience enthusiasm for his exceptional talent.


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Life and Background

Menander's rise to prominence coincided with the final decades of the Athenian Golden Age, a period of unparalleled cultural and intellectual flourishing. During this time, he established himself as a leading figure in the New Comedy movement, a theatrical form that shifted the focus from the grand, mythological narratives of the past to more intimate, character-driven stories that reflected the everyday lives and social dynamics of the Athenian populace. He wrote more than 100 comedies, but unfortunately only one has survived in total, and a few others have survived as verses. He won at the Lenaian Festivals eight times.

Menander's Contribution to Greek Comedy

Menander was a master of the New Comedy genre. Unlike the boisterous, slapstick humour of the earlier comedies of Aristophanes, Menander's plays were characterised by a more subtle and nuanced brand of humour, one that delved into the complexities of human relationships, social norms, and moral dilemmas. His plays often revolve around the lives of ordinary people, exploring themes such as love, family dynamics, social class, and the complexities of Athenian society.

Famous Works of Menander

Only a small portion of Menander's original works have endured the test of time, some of the most renowned and influential plays are as follows:

1) Dyskolos (The Misanthrope): Considered one of Menander's masterpieces. First presented at the Lenaian Festivals, it won the first prize. For a long time, it was lost, but it was discovered in Egypt in 1952, written in papyrus.

2) Epitrepontes (The Arbitration): Although not entirely preserved, most of this particular comic play has been found written on papyrus. 

3) Samia (The Woman from Samos): This play has survived under two different titles. The first, Samia, and the second, Kideia (the Sympetherio). The story centres on the complications that arise when a young man's secret mistress becomes pregnant, leading to a series of misunderstandings.

4) Perikeiromene ( The Girl with the Shorn Hair): This play delves into the themes of love, and deception, as a young woman's life is upended by a series of unexpected events. 

Relevant Articles


References

Menander | Ancient Greek Comedian & Playwright. (1998, July 20). Encyclopedia Britannica. https://www.britannica.com/biography/Menander-Greek-dramatist

Menander. (2024, May 31). Wikipedia. https://en.wikipedia.org/wiki/Menander

  

Wednesday, 19 June 2024

Unveiling the Timeless Epic: Exploring the Iliad of Homer's Historical Background, Themes, and Terminology

The Iliad is an ancient epic poem attributed to the legendary poet Homer. As one of the most influential works in Western literature, the Iliad's enduring legacy continues to fascinate scholars, students, and literary enthusiasts alike. Traditionally, it is believed that it was composed in the 8th century BC and was based on older oral traditions and stories about the Trojan War and the heroes who took part in it. It is called from the city of Ilion (Troy), around which it developed. 


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Historical Background of the Iliad

The Trojan War, the central event depicted in the Iliad, is believed to have taken place sometime in the 13th to 11th centuries BC. While the exact details of the war are shrouded in mystery, scholars have pieced together a plausible narrative based on archaeological evidence and ancient sources. There are many theories regarding the event. There may have been more than one Trojan War. Troy's geostrategic location near the outlet of Hellespont warrants such a possibility. The Iliad claims the Trojan prince Paris abducted Helen, the wife of the Spartan king Menelaus, sparking the war. This event led to a coalition of Greek city-states, led by Agamemnon, launching a massive military expedition to reclaim Helen and punish Troy. The poem focuses on the final stages of the war, chronicling battles, strategies, and personal struggles of the key figures involved. The poet explores themes of honour, glory, and the devastating consequences of war.

Since ancient times, many Greeks, despite their beliefs that the war was a real event, continued to doubt Homer's account. Thucydides, for example, doubted the numbers given by Homer for the number of ships. Euripides, in his work ''Helen,'' describes that the real Helen was not in Troy but in Egypt, and that in Troy was just her phantom, wanting to use it to show the lies that the wars are based on.

Themes in the Iliad

1) The Futility of War: The Iliad presents a sobering view of the devastating impact of war, with its description of violence, loss and the human toll. Despite the heroic exploits of the warriors, the poem ultimately underscores the futility and tragedy of armed conflict.

2) The Tension Between Individuals and Collective Interests: The Iliad delves into the complex relationship between the individual and the collective, as the characters struggle to balance their personal desires and ambitions with the demands of their respective communities and the greater good.

3) The Role of the Gods: The Iliad features a prominent role for the gods of the Greek pantheon, who actively intervene in the affairs of mortals, shaping the course of the war and the lives of the characters. The interplay between the divine and the human realms adds additional layers of complexity and drama to the narrative. This alternation between the world of the gods and the world of men in the play, has led many scholars to believe that the Iliad's author, Homer, presents an early theory about the world of ideas or world of forms, like Plato's theory.

4) The Heroic Code: The Iliad presents a nuanced exploration of the heroic code, which emphasises values such as honour, glory, and bravery in the face of adversity. However, as characters confront the moral dilemmas and personal sacrifices inherent in upholding these ideas, the poem also explores the limitation and consequences of this code. 

5) The Human Condition: At its core, the Iliad is a profound exploration of the human condition, delving into themes of mortality, grief, love, and the universal struggles that transcend time and culture.

Major Characters in the Iliad

The Poem's characters are heroes from noble families and people of divine origins, like demigods. Apart from the gods, such as Zeus, Hera, Athena, Apollo, and others, who intervene in the flow of events, the main characters are the mortals.

1) Achilles: The legendary warrior and central figure, son of a mortal king, Peleus, and a goddess, Thetis. Neoptolemus is mentioned as his son. Neoptolemus plays a central role in some ancient Greek tragedies, one of which is Philoctetes

2) Hector: Son of Priam and Hecuba. He is the Trojan prince and military commander, Hector is a noble and tragic figure who is torn between his love for his family and his duty to defend his city against the Greek onslaught. 

3) Odysseus: The cunning and resourceful Greek leader. In contrast to Odyssey, where he plays a central role, his role in the Iliad is not as significant, with the exception of a few instances where numerous leaders appear to honour him. Agamemnon describes him as his best and most honoured friend among the Greeks. 

4) Agamemnon: The powerful king of Mycenae and commander-in-chief of the Greek forces. All the Greek leaders praise and honour him. Achilles' disobedience, to follow his order and give him Briseis, has been characterised as hubris on the part of Achilles, who did not respect Agamemnon's authority. Apart from the Iliad, Agamemnon remains a central figure in some ancient Greek tragedies, such as the first part of the Oresteia, Agamemnon. In this play, Aeschylus calls hims the king of men. 

5) Menelaus: Agamemnon's brother and the husband of Helen. 

6) Idomeneus: He was the king of Crete and a prominent leader in the Greek army. He was known for his bravery and skill in battle. 

Common Misconceptions About the Iliad

There are various misconceptions among readers about the Iliad that are understood only after one reads the entire poem.

The End of the Iliad: The end of the Iliad differs from the opinion held by most people who have not read the specific work. The poem does not actually include many incidents that the public is aware of. The real end of the book comes with Hector burial. For this reason, important events such as the fall of Troy using a wooden horse, the death of Achilles from an arrow in his heel, the death of Ajax, and other incidents are not mentioned in the book. The Trojan horse, for example, is mentioned in Odyssey. The death of Achilles is not described in Iliad, and Odyssey mentioned his funeral. In the Iliad, it is only written that the divine punishment for Achilles would come from Apollo and Paris. The death of Ajax is mentioned in Odyssey, but there is no mention of suicide as the cause of death, with the way the ancient Greek tragedy ''Ajax'' of Sophocles informs us.

One of the manuscripts of the Iliad contains a remark by an annotator to the effect that certain authorities substituted for the last line the words: Such were the funeral rites of Hector. And now there came an Amazon...'' This suggests that the line was used by poets following Homer as a link for the continuation of the story after the burning of Hector's body. We know for sure that such continuations were made and that the next episode was the arrival at Troy of the Amazon Queen, Penthesilea, who comes to Priam's help, fights Achilles, and is killed by him. The story was told by Quintus of Smyrna, who lived in the 4th century after Christ and wrote a Greek epic in the Homeric manner under the title Where Homer Ends.

Relevant Articles


References

Iliad | Description & Facts. (1998, July 20). Encyclopedia Britannica. https://www.britannica.com/topic/Iliad-epic-poem-by-Homer

Wednesday, 12 June 2024

Aeschylus and His Plays

Aeschylus was born in Eleusis in 524 BC. He is an ancient Greek tragedian with a particularly important contribution to the development of ancient theatre. It is also noteworthy that he participated in the Persian wars, particularly in the naval battle of Salamis, which himself considered one of his greatest achievements. He is known to have written around 80-90 plays, but only seven of his works have survived to the present day.


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The Persians

The Persians, based on the Persian Wars, is the oldest surviving ancient Greek drama. It portrays the Persian perspective of the battle of Salamis and the aftermath of their defeat.


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Seven Against Thebes

Seven Against Thebes is about the conflict between Oedipus' sons, Eteocles and Polynices, who fight for control of the city of Thebes.


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The Suppliants

The Suppliants is a play about the daughters of Danaus, who flee Egypt to escape forced marriage to their cousins, the sons of Aegyptus.


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The Oresteia

The Oresteia is a trilogy that follows the house of Atreus and the curse that plagues the family. It includes the murder of Agamemnon by his wife Clytemnestra, the revenge of their son Orestes, and the resolution of the curse.


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Prometheus Bound

This play is attributed to Aeschylus. However, some scholars debate whether Aeschylus was the actual author. Prometheus Bound is the first or second part of a trilogy called ''Prometheia,'' of which the other two parts, ''Prometheus Unbound'' and ''Prometheus the Fire-Bearer,'' are now lost. The play tells the story of the titan Prometheus, who defies the gods by giving fire to humanity and teaching them various arts and skills. As punishment, Zeus orders Prometheus to be bound to a rock.


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These were the seven surviving works of Aeschylus, each contributing to the rich tapestry of ancient Greek Tragedy.

Relevant Articles


References

Taplin, O., & Podlecki, A. J. (2024b, April 23). Aeschylus | Biography, Plays, & Facts. Encyclopedia Britannica. https://www.britannica.com/biography/Aeschylus-Greek-dramatist

Wednesday, 5 June 2024

The Suppliants by Aeschylus: Unveiling Ancient Greek Tragedy and Its Enduring Themes

''The Suppliants'' is one of Aeschylus' earliest surviving plays; we do not know exactly the specific year it was first performed, but it was before Oresteia that it premiered in 458 BC. This work should not be confused with the work of Euripides, who in 423 BC wrote a play with the same title but with a different central theme and plot.


Overview of ''The Suppliants'' by Aeschylus

''The Suppliants'' tells the story of the Danaids, the fifty daughters of Danaus, who flee their homeland in Egypt to escape being forced into marriage with their cousins, the fifty sons of Aegyptus. Seeking refuge in Argos, the Danaids appeal to the Argive king, Pelasgus, for protection and asylum. The play explores the tension between the Danaids' desire for freedom and the political and social consequences of their actions, as well as the complex relationship between humanity and the divine. On the other hand, King Pelasgus comes in front of a hard decision, giving the daughters to King Aegyptus, he keeps his people safe but causes the wrath of Zeus, who, for the ancient Greeks, was the protector of the suppliants. 

The play is the first part of a trilogy, with the second part called the Egyptians and the third part the Danaids, but it is the only part that survives in its entirety.

Themes and Messages in ''The Suppliants''

The play delves into the desperate quest for freedom and autonomy, symbolising the desire for self-determination and the right to choose one's own path. Central to the narrative is the concept of hospitality, emphasising the moral obligation and cultural norms governing the treatments of suppliants and refugees in ancient Greek society. Zeus was the god of Hospitality; for that reason, he was called Xenios Zeus. From the Greek word Philoxenia, which means hospitality. Furthermore, the play addresses the qualities of a democratic leader, portraying the ideal traits of a ruler who values democratic consultation and the welfare of people. 

Characters

  • Chorus of the fifty daughters of Danaus.
  • Danaus, a descentant of Zeus and Io.
  • Pelasgus, King of Argos.
  • Herald of the Egyptians.
  • Second chorus of maids attending the Danaids.
  • Other soldiers and Attendants.
The Myth Behind the Story

With this work, or more specifically, with the myth on which this work is based, the ancient Greeks tried to explain the origin of the people of Egypt and the religious practices they followed. The myth begins with the beautiful Io, who was the daughter of the king of Argos, Iasos, and the high priestess of the temple of Hera in Argos. When one day Zeus, the king of the gods, saw her and fell in love with her, this provoked the jealousy of Hera, who pursued Io, and she, to escape, wandered to distant places. This story is very well captured in another work by Aeschylus, Prometheus Bound, where Io recounts her plight to the captive Prometheus. 

Io, having transformed into a cow, wandered in several different places, ending up in Memphis, Egypt. She then regained her human form and gave birth to a son, Epaphus. His distant descendants were Aegyptus and Danaus. Egypt took its name from Aegyptus, according to folk etymology, thus, for Euripides, in his tragedy Helen, Aegyptus has become Egypt itself: ''Proteus, while he lived, was king here, ruling the whole of Aegyptus from his palace on the island of Pharos.''

On the other hand, from Danaus came on the tribes of the Greeks, the Danaans. Homer's epics and an ancient Egyptian tablet with hieroglyphic writing from the temple of Ammon in Thebes both mentioned this tribe.

Conclusion

The play's exploration of gender dynamics, the role of the divine, and the moral obligations of hospitality and asylum continue to resonate with audiences across ages. As we engage with ''The Suppliants,'' we gain a deeper understanding of the rich tapestry of ancient Greek drama, mythology, and history. By examining this work within the broader of Aeschylus's dramatic oeuvre and its influence on later playwrights, we uncover the profound and multifaceted nature of ancient Greek tragedy.

Relevant Articles


References

The Suppliants (Aeschylus). (2023, June 30). Wikipedia. https://en.wikipedia.org/wiki/The_Suppliants_(Aeschylus)
Suppliants | Greek tragedy, chorus, gods. (2011, October 12). Encyclopedia Britannica. https://www.britannica.com/topic/Suppliants-play-by-Aeschylus

YouTube

MoAn Inc. (2023, October 24). A Detailed Summary of THE SUPPLIANTS by Aeschylus [Video]. YouTube. https://www.youtube.com/watch?v=_34Gj_L1ycw

Sunday, 2 June 2024

Ancient Stories: The Greek Theatre


Historical Overview

The e-book ''Ancient Stories: The Greek Theatre''  offers a comprehensive exploration of the ancient Greek theatre, delving into its historical significance and enduring impact. The e-book provides readers with a detailed historical overview of ancient Greek theatre, shedding light on its origins, evolution, and cultural importance. 

Themes and Motifs

Furthermore, the e-book delves into the rich themes and motifs prevalent in ancient Greek tragedy and Comedy, offering insights into the profound societal, ethical, and philosophical issues depicted in the plays. It elucidates the enduring relevance of these themes and their impact on Western literature and drama. 

Ancient Tragedy and Comedy

The second part of the e-book is dedicated to ancient tragedy and comedy, featuring biographies of renowned playwrights such as Aeschylus, Sophocles, and Euripides. It provides a summary of their notable plays, emphasising the timeless significance of their works and their contribution to the literary and dramatic landscape.

Archaeological Sites

In the final section, the e-book takes readers on a captivating journey through the archaeological sites of the ancient theatres that have survived to this day. It offers a vivid portrayal of these ancient sites, allowing readers to immerse themselves in the historical and cultural remnants of ancient Greek theatres.

For a more in-depth exploration of the ancient theatre and its profound impact on literature and culture, ''Ancient Stories: The Greek Theatre'' is available as an e-book on Google, Kobo, and Amazon US/UK.

Series


Ancient Stories: The Mythology Behind the Sky